Sean K. Cureton

Archive for January, 2018|Monthly archive page

The Disaster Artist: Studio Comedy Caricature

In Movie Reviews: 2017 on January 13, 2018 at 11:36 am
The Disaster Artist

A24

The Disaster Artist
Directed by James Franco
2 out of 4 stars

The circumstances that gave birth to the 2003 feature The Room border on the unbelievable. Written and directed by its enigmatic leading man, Tommy Wiseau, the film was independently funded to the tune of $6 million. Unfortunately for everyone involved, Wiseau’s magnum opus doesn’t look like a $6 million motion picture. Far from it, The Room is marked by a peculiar narrative and lacks any cohesive logic. Each successive scene builds upon a singular worldview that feels familiar only if the viewer is aware of Wiseau’s equally peculiar personal history and artistic obsessions.

Enraptured by the storied careers of James Dean and Marlon Brando, Wiseau spends much of his time in The Room tactlessly conjuring his very best impressions of the two formerly cited Hollywood icons. Yet at the same time that Wiseau is trying to ape the traditions of his cinematic forebears, his own ineptitude shines forth more brightly than anything else on screen. The extent to which his own tortured personal history remains shrouded in mystery, evasiveness, and dishonesty only serves to further attract newcomers to his cult-hit directorial debut. And the kind of attention that Wiseau’s character frequently excites in an audience is often tied to the absurdity of his profile. In The Disaster Artist, this pattern of superficially misunderstanding Wiseau’s subtle appeal continues.

On paper, casting James Franco to play the role of Tommy Wiseau – in addition to directing a major motion picture about the cult icon – is commercially appealing. Franco is more handsome than Wiseau, and having Franco featured prominently on the film’s posters and in its trailers positions the movie for a wider appeal than just die hard fans of The Room. And by and large, Franco does a remarkable job of playing the part of Tommy Wiseau in The Disaster Artist. Fans of Wiseau and The Room will no doubt be thrilled to follow along as Franco and company recast and reshoot several scenes and sequences from The Room shot-for-shot. But that’s also where the appeal of The Disaster Artist begins and ends.

Based in part on the non-fiction book of the same name co-written by The Room actor Greg Sestero and journalist Tom Bissell, The Disaster Artist presents itself as the cinematic retelling of the making of one of the best worst movies ever made. But instead of delving into Tommy Wiseau’s convoluted biography, his hostile relationship with women, or his envious attraction to Sestero, The Disaster Artist is content to let its all-star cast of comic actors exchange well-worn lines from The Room with one another verbatim. Instead of exploring the winding narrative that Sestero lays out in his spellbinding memoir, The Disaster Artist plays it safe while opting to whittle the essence of Wiseau down to studio comedy caricature. Unlike The Room, the appeal of The Disaster Artist is easy to explain. Borrowing heavily from the formerly mentioned film’s popular reputation as a “so bad it’s good movie,” The Disaster Artist is made for the kind of person who enjoys watching The Room to laugh at its grotesque star.

This review is an expanded version of an article that was originally published by Audiences Everywhere.

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